V for Vendetta ****

V is more than just a futuristic action thriller. This is an important film. Based on the graphic novel of the same name (which this viewer has not read), V packs a strong political punch.
In the future, England has fallen under the control of a fascist dictator. There is a strict curfew and one government controlled media network. Anyone straying outside the social boundaries set by the government -- say for example a gay talk show host in possession of a copy of the Koran -- is summarily whisked away by the Gestapo-like military police. OK, so far not that much of a stretch. You'll also probably have to feign surprise at the fact that "the colonies" are to blame. The story goes that a viral outbreak and civil war in America leads to all the fear and hate mongering across the pond. Somewhere Tony Blair has mixed feelings about this.
And then along comes V. A mysterious and verbose masked man reminiscent of Zorro or the Count of Monte Cristo, only V is not afraid to spill some blood along the way. The mask is made to resemble the face of a revolutionary who tried to blow up the House of Parliament and was hung on November 5th. V (played by Hugo Weaving of The Matrix and The Lord of the Rings trilogies) is determined to make the 5th of November a date that no one, particularly his enemies, will ever forget. The movie unfolds between two of these red letter days, with several flashbacks providing the backstory.
Natalie Portman plays Evie, an employee of the BTN (British Television Network) unwittingly swept up into V's vendetta when he saves her from some prowling policeman who catch her out after curfew. Natalie turns in a great performance, pulling off a convincing British accent. This leads this reviewer to believe that she was not to blame for her subpar turn in the Star Wars prequels.
The Wachowski brothers succeed at infusing this film with an emotional fire which underpins very relevent political statements about terrorism, gay rights, censorship, and freedom of speech and religion. Stylistically this film is similar to the dark world dreamed up in The Matrix. But V for Vendetta replaces new-agey Neo with a more serious and edgy anti-hero. The "1812 Ouverture" never sounded so good.
Soundtrack available on Astralwerks records. It borrows Cat Power's cover of the Velvet Underground's "I Found A Reason" from her Covers Record (2000), and Julie London's classic "Cry Me A River." "Bird Gerhl," a track from emerging gay icon Antony is also included. It also appears on Antony & The Johnsons 2005 album I Am A Bird Now, which features collaborations with Lou Reed and Rufus Wainwright. Perhaps Larry W put his two cents in on this one.








